My husband is a fixer-upper, and I am a throw-away-er. He’s an engineer who figures out how things work, so fixing something that doesn’t work is his default setting. If I see a chip on non-essential stuff I can’t wait to get rid of it. So while S tests batteries with a volt meter to ensure he’s gotten the last bit of juice left in them, I put my moribund batteries straight to a bin and let them accumulate for years.
For all of our differing opinions on what to keep and what to chuck, we agree that understanding family history and preserving it is precious to us. S has dedicated himself to cataloging his father’s exhaustive work in economics, computers, information productivity technology, management, family history, the Holocaust, and cybersecurity. In 2003, when my mother died, I instinctively asked to keep her letters, papers, and address books. I am still trying to go through all of the boxes.
A couple of years ago, we visited my in-laws and were tasked with getting rid of S’s high school and early college stuff out of their basement. S and I spent hours sifting through boxes and in the process of seeing all of his paraphernalia, some of his old toys, piano books, and correspondence with a high school sweetheart; I fell in love with him all over again. Through the pictures and the objects, I understood more about who he was before I met him. I told him that if he had asked me out, I’d say yes in a heartbeat.
On the way out of the basement, my father in law pointed to a light fixture that was gathering dust in a dark corner and asked us “You want to take that too?” S remembered it being in the same place for years. We admired it and replied that we’d think about it. Every time we’d go visit they’d offer us something to bring back, and we’d say yes, but this gorgeous chandelier was more than trunk space: It was a project.
Back home after having seen we had a lighting void in our living room, we decided to bring the fixture back with us from New Canaan to Boston. Looking at the chandelier up close we noticed corroded and bumpy metal and discovered some white matte plastic inserts. For good measure, my inlaws threw in matching sconces they must have bought with the chandelier. So it began: the light fixture moved from their basement into ours where it sat forever until we’d remember from time to time that we had to it repair once we found someone who knew something about re-chroming.
The chandelier became another task that we stuffed in the back of an already crowded basement along with all the art that needs framing, the dollhouse that is a daddy-daughter project, and other unique treasures that I picked up on neighborhood trash days. We still knew little about the light fixture, but we hoped to muster the energy to fix it. Then we met Seth from Rare Restoration, a place that feels like real magic could happen at any time, and it does. Rare is a curated assortment of antiques, a haven for restoration and a repair haven filled with possibilities of resurrecting the most defunct and cherished objects you own.
Peek into Rare’s fantastic world.
Seth took the fixture from us and quickly learned that it wasn’t chrome. The darn thing is silver-plated! By the time we got the fixture back from Seth, he had shined it, cleaned it from the inside out removing all the corrosion. As he wiped some of the pieces, Seth discovered some broken pieces of plastic, and we remembered then that we had the sconces. Problem solved. We mined the sconces for a couple of the white panels, and we got the fixture back good as new. The next step was to hang it, so we hired a skillful electrician to do the job.
The living room situation is still not where we’d like for it to be. We have 25-year-old furniture with lovely bones and saggy covers that once were super-hip. Art sits on the floor keeping our plants company. After years of basement dwelling, another inherited piece of furniture has gotten love and care from Seth’s staff at Rare and is finally hanging on the wall.
So no we’re not done, but when we sit on the couch in front of a fire and read by the glow of our chandelier, we appreciate how lucky we are. A little piece of family history keeps us connected to the past as we create new memories of our own. All the while our chandelier continues to shed light some of our paths.
Sure we have aspirations for something a bit more like this room, but so far we are contented just the way things are.
I first noticed Cure thrift shop the first time I dropped my eldest at NYU. Trying to keep track of a lot of moving parts and moving stuff, we drove past the shop and spied a bunch of funky mannequins, great furniture, doodads, and some rugs. I was smitten, but couldn’t go in. Our visits to the city rushed and packed with stuff to do, conspired to keep me away and so instead, I followed on Instagram. Once during one of our rushed visits, my patient husband found a questionable legal spot to park and stayed with the car so I could go inside the store and browse.
I fell obsessively in like with two things: One, a typewriter which I swiftly talked myself out buying because I had a similar one already. I kicked myself about that for a while and eventually forgot about it. The other one was in my future.
One day, while checking up on the Cure’s Instagram account I spied this little girl’s image (on the right) and she spoke to me (not in the magical-realism way) but I instantly liked her. I dm’ed the store and after asking about shipping, I got no response. I thought about her often. I was a bit obsessed with the creative force which designed the Lokal Hotel and wanted to borrow some of their aesthetic for another soon-to-be unfinished decorating project.
I came to NYC again, this time for moving our kid out of her dorm and it was raining like crazy. I stopped in at the thrift shop for 2 hot seconds. It had been at least 6 months since I saw the print and I looked around for it but she was gone. I tried to find a similar one, even buying a look-alike in an antique shop in Montpelier, Vermont. What I got was a photograph of a woman looking away from the camera, her gaze steely and somewhat vacant. A the time my kids wondered why I was getting prints of people who I didn’t know to hang in our home and it was too hard to explain. I was happy with my purchase but it was only a replacement for the print I really wanted. I had seen the print flash on the Cure’s feed once more, but I wistfully closed my phone instead of attempting to contact them again.
I’ve always had a connection to old photographs. There is an appeal to what memories they keep and I like wondering about what stories these people in these images created. It’s a bit like going into their pasts an eavesdropping into a small part of their lives. Photographs play a big part in my upbringing and my theory is, that we had so much tragedy in our lives a photograph could capture joy and predictability and preserve those impressions for later just like pickled veggies for the winter time. On the more superficial level, however, remember: I had a decorating project (number a million or so) which to date remains unfinished.
Well, it’s June 2018 and I am in NYC again. This time, I am alone and staying at my daughter’s apartment in the East Village. It’s been fun, trying to follow her advice for places to go. I like imagining what she sees daily as she goes out and pokes in to buy groceries around the corner or coffee at the cool place down her street. I’m mainly just exploring. She’s above a restaurant bar and the place transforms at night. Once the afternoon falls, the outfits get nicer and St. Marks place gets a bit of a mild Bourbon St. vibe and people definitely party late into the night.
I returned to the Cure thriftshop finally seizing the opportunity of being completely alone and without any pressing commitments. I saw another typewriter and decided to pass on it. It had a small crack and the fact that it was a bright canary yellow almost made up for the defect.
I poked around some more and while sliding hangers to get a closer look at the bodice of a shirt I liked, hiding behind a whole row of dresses was the print! I squashed the dresses off to one side of the rack and bent down to make sure I wasn’t seeing something else.
I went to the front and asked the salesperson about the incognito print in case it was hidden so well for a reason. I imagined that someone could have been holding it and wanted it out of sight. “Show me, ” he said as I made my way down the back of the store missing a hidden step once again but quickly getting my balance back. “Here!” I pointed and didn’t want to go indecorously go back digging behind the dresses. I saw him part the dresses like a theater curtain. “Oh, her?” I was nervous he’d tell me that “her” was not destined to be mine. After all, twice she had been shown to the world on Instagram, and maybe she was part of some special collection that was attached to the shop, like the art on some of the walls. “Sorry, these are not for sale” some groovy objects were part of that sign.
My Cure man took the print out and held “her” in front of him wistfully looking at it as if a couple of memories came back. “I posted the picture. I post all of our pictures for the feed.” he kept looking at her. “Do you want to buy it?” “Yes!” I would. I’ve never had a good poker face and asked for a discount. I could have tried a detached look of some sort to get a better deal, but instead, I grinned and walked over to the register. The Cure uses proceeds from sales to help diabetes research, so even if I was good at haggling, it wouldn’t feel right. I paid for my print and he tried unsuccessfully to find a bag that would fit. I hadn’t thought much of what kind of hell awaited me walking with a framed print through the busy streets of NY one of the hottest days of the summer so far. ” So, do you think she’s Italian or Spanish?” I bristled a bit. I didn’t like it when people refer to Spanish-speaking people as Spanish. This guy was a New Yorker, and I bet that’s the thing here. “Not sure…” I let my voice trail off and we both took notice of the little necklace with a medal on it. ” Catholic?” He took a closer look. “Maybe a saint or somethin’, like St. Anthony or St. Christopher.” He found some craft paper and wrestled some packing tape to try and origami a cover for the whole thing. He seemed so genuinely curious by the girl, that I could tell a part of him had formed an attachment.
“Take it to FedEx across the way. They can package it for you.” I thought that was a great idea. Unfortunately, across the way might have been some code for anything except a literal across the way, and instead, I wound up happily walking my print over to my daughter’s pad.
I hesitated to bring her on the bus ride back with me. I had no idea what to expect from the bus storage above the seat and putting the print down with the rest of the luggage seemed risky. Instead, I left it tucked in a closet, waiting for me to come back to get her. For a moment I considered displaying the print and having my daughter see it when she got back from her trip. Instead of startling her, I kept the print covered and tucked in a safe spot in one of the closets.
I have fallen deeply and irrevocably in love with Vermont. We came home today and although I was eager to go get back to Brookline, because, it’s well…home, I was also crestfallen to leave.
We’ve enjoyed the kind of slow pace I knew I wanted but had no idea how much I truly needed. I’ve sat quietly without expecting things to work a certain way, watched the girls also connect to a sense of calm. The log cabin we called home is tucked in a serene spot off a verdant windy road that barely gets any traffic. We were surrounded by trees and the sound of happy birds. It rained non-stop since we arrived, but somehow every morning we got a slight reprieve and we managed to get out with enough time to hit the roads and do some low-key exploration. Always in the background coming into the cabin, from every window, we enjoyed the sound of a spectacular waterfall.
I had simple goals on day 1. Write, read, meditate, and plan my calendar. I had secondary aims of creating syllabi for my fall classes and going through a mountain of paperwork that weighs my bag every single day.
Writing the entries on the blog have sparked the writing. I struggle with identifying as a writer and generating continuous material, so writing a blog entry is a big boost. Often in my entries, the prose is clunky and choppy but I enjoy interweaving images which are so much fun for me to take and at times procure. It’s a state of being and takes me a while to live in that writer’s space.
Here’s the punchline: I didn’t check everything off my list but I didn’t care. Everything I didn’t do on my list means that I managed to sneak something else that brought me closer to my own disheveled brain and to my family.
A client recommended Headspace as a primer to meditation. One of their taglines is:”It only takes a few minutes to change the rest of your day.”
I downloaded the app a couple of months ago but only had time to try it during the Vermont week. Easy! Nice and super revelatory process for me. I’ll talk a bit more about my experience with Headspace on another post.
I had been chomping at the bits to get my mechanical keyboard from Lofree and it was a blast to be perched up in that sunny cabin sitting in a cozy studio clicking away on the keyboard. I I brought it to the coworking space, people might throw paperclips at me, but I was on such a roll in my retro typing that it made me want a cigarette.
We packed for rugged- living. Think bikes, rain boots, big beach towels, food and anti-bug stuff. These Ikea BRODERLIG bags were amazing for trunk organization and toting stuff about.
Tons of capacity
Soft but defined edges for easy trunk packing
The FRAKTA long duffle bags in the indistinguishable Ikea blue was the ultimate clothing carryall. The DIMPA became our dirty clothes hamper and wet towel totes.
We used for dirty clothes and towels
FRAKTA bags were great for clothing (also available through Amazon)
That’s it for now. I have a ton more to share about surprising places we discovered in Vermont. All I can say is that I am already planning our next visit.
One of the other many reasons why I dislike the month of June, is because on June 25th my mother was born. A month and some days later in July of 2003, mom died due to complications of colon cancer. Instead of celebrating such a day, I am back reliving all the stages of grief in one sitting.
Even years after she died, I’d pick up the phone to give her a call. It was an absentminded gesture, muscle memory really, from talking to her almost every day of my adult life. But on the 25th, I miss her differently. I call up anger and regret and find it hard to see any silver lining or hidden blessing. I remember times that I upset her, hurt her deeply, while seeing the surprise in her eyes that I “the diplomat” was the one inflicting the injury. Mom never said a word back to me. Up to this day, even typing these memories. I feel a sense of shame that doesn’t wash all of the times when I showed her how much I loved and admired her.
Daily I miss her in the most primal of ways, as if from my “lizard brain,” as a friend likes to say. I want mom here just as my girls want me: To find things, to vent, to confide in, to grab that mug they are too lazy to get, to chat and laugh, to share some chisme and for dancing.
Regret is a complicated word. “I regret to inform you,” never comes with good news. “Regrets only” means someone doesn’t really want you there; they expect some sort of turnover. “Send my regrets” means you’re too chickenshit to engage in direct communication. “Live your life without regrets” could mean all that carpe diem stuff, but also that you’re a selfish idiot who won’t say sorry or please and thank you.
So even when I had no control over my mother’s death, I am filled with regret for my daughter’s life without their vivacious grandmother. I regret that they won’t benefit from the impressive boyfriend bullshit detector she was. “Why do you always have to date all those weirdos?” She was however respectful and quick to say “Get over it, live your life, that’s the best revenge.” I am sure she lived her life with regrets, but she was starting to make up for most. She traveled, supported her daughters always and went back to school to get an education that ultimately landed her a dream job. She was the most deserving woman of anything good who I have ever met. Stupid cancer.
I don’t miss mom at night, like when kids want to cuddle. She wasn’t a cuddling mother. I want her like a lost kid in a busy international airport without knowing what to do next. I don’t want a cuddle, or bedtime story, or there, there. I want to be found. I just want my mommy.
A few weeks ago a friend and his wife invited my husband and me to a tour of the Frederick Olmsted House in Brookline. We hadn’t seen this couple in a long time so it was nice to reconnect. We scored on getting a park ranger who knows his stuff and is passionate about his job. Before touring the home of the “the founder of American landscape architecture,” our ranger breaks down the philosophy behind Olmsted’s interest in designing outdoor spaces. Olmsted’s vision for reducing city living stress in the presence of nature resonates instantly. Listening to ideas, which extend to everyone’s access to this communication with nature, reflect civic and political implications of designing inclusive physical spaces for all. Central Park was Olmsted’s first major example of his vision but his touch expands to many other local green mere miles around where I live.
The house is impressive, and the archival work the National Historic Park Service is doing makes Olmsted’s work continue to live beyond the divisive times we’re currently experiencing.
But I buried the lede. It’s about nature. Visiting the historic park reaffirmed an uneasiness I’ve been having. I wanted to hit a giant pause. In my mind I designed a simple button, like the ones they have at Staples, that say “Easy.” Instead, my button would have a huge “Pause” icon on it. I’d press it and the whole world would freeze, kind of like in the Matrix. I just wanted a moment to get perspective and to hear an uninterrupted thought that helped me look forward. It had been a hellacious 3 years of non-stop life junk and I wanted a lifeline.
When a friend, who needed to leave her cabin in Vermont for a week, offered her home to us to use in her absence, I instantly said yes before looking at our calendar. I had missed out on the offer in previous years, because June happens to be a jerk of a month. It’s constantly battling me with its ultra-scheduling kung-fu and I alway lose. This time though, I made it work.
I’ve traveled to incredible places in my life, but I have to be honest with you here: I’ve never been so excited about any vacation before. When my friend, also a writer, described her log cabin in the woods, the land around it and – wait for it… a waterfall in the back yard – I knew I’d found my pause button. When I say waterfall, I am not talking Koi-pond waterfall. I mean, a nature-built-it type of beauty that soothes any brain and boy did my poor brain need soothing.
I packed every book I could imagine would fit into one tote. All of the titles, half started, not started, not looked at, ordered but not thought about in a couple of years or used as a coffee cup coaster instead, are here with me now. I have simple goals for this vacation: write something, read something, meditate using one of the many meditation apps I’ve download so far, and enjoy downtime with my family. So far so good.
On my second day here, I am writing this post. Not too bad! I’ve taken a long drive with my husband in search of perfect tomatoes on a roadside farm stand, but no luck there. Somehow the farms were all closed. We wound up instead at a cool health food store in Montpelier and got them there. During our long ride with our windows open, looking at the expanse of land, my breathing opened up and softened. We stopped off to the side of the road and picked up bunches of Queen Anne’s lace and placed them gently between my husband and me. He kept saying how happy I seemed. I was and I am. Thanks, nature.
I grew up in an island where there’s no shortage of communing with nature. Ocean breeze, bright night skies dotted with clear stars, salt water, exotic plants and fruits, were just every day of the week occurrences. People say that Dominicans are on “island time” which is true. I wonder if it’s because they live around so much natural beauty there might never be a need to press pause.
These old faithfuls kept me somewhat sane during AWP17:
1. Astro E5 16750mAh Portable Charger
2. LOQi Museum Collection bag
3. Everlane New Modern Backpack
4. Mavala lip balm
A portable charger. Ha! So long suckers who have to fight for outlets in every corner of the conference venue. I use this one to keep me juiced up.
LOQI bags because I always pick up too many things at the Bookfair
This functional and small new backpack by Everlane. Big enough for my MacBook Air, and deep enough for some bulky things, even lightweight sneakers. I chose white and haven’t washed the yuck I’ve managed to spill over it, but I am confident it will clean easily.
Mavala lip balm– For years I have hoarded extras because I am afraid that one day I’ll wake up and someone will discontinue this luxurious, rich smelling, perfect balm. Don’t do it Mavala.
C&L’s flowing multi use cardigan
Semikolon Ecole Notebook
Best travel piece all around. Period. By Crane & Lion : It’s a scarf, a wrap cardigan a shawl, it fits everywhere and I own 3! Though C&L specialize in gorgeous and functional workout clothing, their lifestyle pieces are yum.
I learned my lesson carrying around large surface notebooks to scrawl, write, and doodle. Once in a workshop a woman next to me remarked on how much she liked the way I was taking notes. I need space and room to spread my thoughts people! However, I wound up carrying too many things, my bags multiplied and all of them were too heavy to carry around comfortably. For this #AWP17 I grabbed myself some lightweight compact yet spacious smaller notebooks by Semikolon. Check them out! A gorgeous site with tempting options. Thank goodness for Google Translate.
Anyone who knows me will tell you I am big on snacks and I like them to be pretty. Here are some of the stops I made:
Pain Quotidien: I’ve been to the ones in Ct, NYC and was happily surprised that they were around the corner from my hotel in D.C. New faves from their winter menu: Steamed ginger lemon drink I picked up a large one of these every morning on the way in to the conference and a Daily Blend on the way back. Pick up the refreshing cups of natural juices and whole fruits and veggies and bring them up to the counter for an on-the-spot-blend.
1. Organic steamed ginger lemonade
Daily Blend flavors
When I tweeted out that the lines were worth it, I wasn’t kidding. These are nice folks and the coffee is worth the long line. Writer in one place gravitate towards caffeine.
They make a great Cortadito and it’s almost as good as the one my friends in Brookline’s 4-A make it.
Smooth Gel Pens
All over great screen and eyeglass electronics cleaning cloth by Real Simple. I make a mess out of my eyeglasses all the time and this cloth is my savior. Since it’s big enough for my laptop screen too, my eyes and electronics are smudge-free.
Muji Gel Pens- Muji has my heart in every single curated object they carry. I have too many colors of this pen but enjoy them all the same.
I won’t lie. I wasn’t too eager about going to D.C. for the writers’ conference this past February. I had whiplash after November, and hadn’t processed all of the stages of grief. I spent very few days in denial, not that recall if fear is part of the stages, but I will admit to being afraid and since I am not a thrill-seeker, I don’t do well with uncertainty.
Got to the airport super early and got some grading work done
The screen in front of my seat was frozen on this image forever (or so it seemed)
I enjoy going to AWP for all of the right writerly reasons. I like the community, the workshops, the engaging talks and if I’m lucky I see old friends and make new ones. Normally, I wait too long to make reservations, the hotels are all sold out but this past year, I acted quickly. The conference hotel option was gone but I managed to score a deal in a nearby hotel on Embassy Row.
Yup. Not digging the view
Come play with us Danny…forever…and…ever
My comfy home for the week
I unpacked my bags, got organized and decided to let D.C wash over me without any orange crumbs and to make the most out the conference. It turns out that AWP soothed my uncertainty and I had a blast.
Hotel: The Fairfax hotel on embassy row: Not too close to the venue, but the price was right, the hotel room super big and the metro ride was super easy. My stop was in Chinatown which was super vibrant at all hours
BTW- What I vowed to never do again: Rely on Apple’s maps! Having said that, I also vowed to spend less time trusting any map other than a paper map. I walk way too fast and sometimes the corrective response of the map doesn’t go as quickly as I want it to. Next time I am grabbing one of these crumpled maps
Here is a common problem for me: Cool sessions happening at the same time. Since I haven’t figured out how split myself in half, I normally pick my top 2 and go to my first choice. If for some reason the first one doesn’t work out the way I thought it would, I duck out quietly and make my way to choice number 2. I’m mentioning my favorite ones.
Solo en Español
Wow! how it gave my heart alegria to hear only Spanish read in the literary form. The essay read by Lupita Vargas-Strathman, about identity, language and place, was nicely relevant during this political climate. Right before the conference I watched a series based Sor Juana Ines on Netflix . I was especially inspired and still in my mother tongue’s language embrace when I sat in the audience for this session. When I was younger I read Sor Juana Inez de la Cruz’s poetry only to have the memory languish with the sediment layers of my daily english speaking life. Guess what I have on my endless to read book pile? I am going to read her plays.
The Netflix series
The panel’s readings and conversations unearthed for me Spanish words and terms that were not permanently lost by any means, but suppressed.
The stunning voice of Chimamanda Ngozi Adichie made me wish she’d read the whole book to me right there
E. Ethelbert Miller asked great questions
Reading and Conversation with Chimamanda Ngozi Adichie and Ta-Nehisi Coates, Sponsored by the Authors Guild.
I had missed the opportunity to hear Ta-Nehisi Coates in person, when a Harvard conference (Universities and Slavery: Bound by History) booked up quickly. I taught his book and his essay A Case for Reparations, last semester and was motivated to join a packed house (no hyperbole) for this important dialogue. I managed to get in before the previous session ended and caught the tail end of the Emma Traub and Ann Pachett session so I secured a seat and got to hear a delightful conversation about independent bookstores and advice on reading and writing characters. I had a great seat, and as the venue filled out and more people tried to come in I was relieved to stay put. The reading by Chimamanda Ngozi Adichie was amazing and I seem to be the only person in the country who hasn’t read Americanah. So, guess what’s waiting on my endless to-read- book- pile?
Writing the Dual Self
Every once in a while you happen on a session where you find yourself saying “get out of my head!” over and over. This was one of these sessions. Writing about self when so much of the outside world has expectations of who you should be has been a specific challenge for me. Once, in AWP Boston I attended a session of writing across diasporas. At the time, although the authors were all East-European I latched on to the vocabulary and language of the experiences of those, who like me, call other countries home. This session had solutions and honest perspectives. In this panel all the speakers were intuitive and articulate. Props to Sonya Larson from Grub St. who makes everything she touches radiate pleasant clarity.
The Assay Journal has a nice comprehensive recap of the session. I am particularly interested in the form of the speculative Essay because of it’s open-ended form. The ideas of a speculative essay, far from being wavering, ask pertinent questions and invites the reader to inquire along with the writer. Just like a solid essay in the speculative form, the session peered into questions of author’s responsibility for voice and for truth, ideas of self and belonging through Emerson and Thoreau’s writing, origins and intent of the essay and impressions of the form. I came out of the session with a nice reading list, and while trying to find the subterranean location for the session, met the super-cool author Michael Tager.
Many essayists have employed speculation throughout the form’s history, relying wholly on speculation (relating nothing verifiable) rather than engaging “fact.” Virginia Woolf’s “Death of a Moth,” for example, does not require a verifiable moth to achieve its power. But what are the limits to speculation? Must essayists always signal their speculative intentions? Can an essayist delve into the traditional realm of the fiction writer, overturning traditional notions of point of view in the essay?
The panelists discuss responsibility of place in writing
An important panel exploring the responsibilities and perspectives from the immigrant writer’s voice and experiences. The timeliness of the session in the midst of conversations about the freshly instituted travel-ban gave the panelists plenty to discuss.
How does immigration affect a writer’s creative pursuit in another country? There are many success stories of immigrant writers, but there is yet another side of their stories to tell their challenges after migrating to another country, either by choice or in an event that forces a migration. Immigration not only results in binding of cultures, but also leads to a creative chaos in want of proper opportunities, recognition, and an environment to be creative and productive. A much-needed debate!
Poetry lends itself to the kind of whimsy and wit that is spontaneous and witty
What does the Fox say?
About the pieces in the Convention Center by artist Donald Lipski
Convention Center Art
by Donal LIpski
Sure! Just what you expect at a panel
The Latino X Caucus Meeting- Check out the FB page. The Latino X Caucus continues to develop and expand. New initiatives, ideas and focus need your help. Get involved!
Wonderful authors reading great work but none best than my dear amigote and talented Chicano Noir writer Ito Romo. His reading was the most entertaining and engaging I’ve seen-ever- . Seriously. Check out his exceptional work.
Join the editorial staffs of Grist and Iron Horse Literary Review as they present several of their recent contributors at the 2017 AWP Conference. The Mulebone offers regional Southern-American food with craft cocktails. Their appetizers: corn maque choux, Texas shrimp & buttermilk biscuit, pickled fried green tomatoes, and the “script board” with Virginia ham, biscuits, deviled egg, pickled veggies, and pimento cheese.
I was glad to be there, a brief moment standing on my tiptoes trying to get a glimpse at the speakers. I couldn’t see well, but the signs, the tempo of the voices and the candlelight reaffirmed messages of love, determination and the beauty of words.